Showing posts with label Ezquerra. Show all posts
Showing posts with label Ezquerra. Show all posts

Wednesday, 15 August 2012

Harry Harrison is dead!


 I have always considered The Stainless Steel Rat as the book that moved me from kiddy fair to 'grown-up' books when I read it 10 years old. It was a revelation to me in its witty approach and amoral universe. To Asimov, Bradbury, Moorcock, Dick and beyond, it all started with Slippery Jim Di Griz.

The voice of Harrison's fiction - in particular his more comical output - and the tight conceptual frameworks that he works within - like in Deathword or The Captive Universe - have been huge influences on my own writing. Panoptica definitely reflects that same snide, uncommitted satirical voice that's inclined to believe that everyone's an idiot.

A couple of years afterwards I wrote a letter to 2000AD (my one and only time) suggesting they could adapt classic sci fi novels, and suggesting The Stainless Steel Rat. Six or eight months later, guess what? I've never been able to find out if there was a connection between my letter and this adaptation (let's face it, probably not), but I flatter myself that I had a small hand in this.

I had the great good fortune to meet the great man at a party for (IIRC) Gollancz sometime at the end of the 90s, where I was intorduced by (name drop name drop!) Kim Newman. I burbled about the huge influence he had on me and the role he played in my development as a reader and writer. He was kind enough to listen benevolently, chat amiable and then wish me well.

He left some wonderful, timeless books and had a good long life, so I suppose we shouldn't be too sad. We only get one life and it's up to us to use it for the bast. Harry Harrison did that. I'll be raising a glass to him tonight.

Tuesday, 5 October 2010

2000AD Part 2: Strontium Dog and Judge Dredd


Having discussed my personal history with 2000AD in part 1, let's take a look the most recent progs in my possession, progs 1689 to 1702.

That's 13 progs, three-month's worth. It's amazing how quickly they pile up! I only make it to the comics shop once a month or so (Gosh in London, by the way, and consider this a plug for the friendliest friendly comics shop in London) and so I've been reading them in a slightly different way to how I read it in the past. Instead of three or four page bites, I've been reading the stories in longer stretches. Some of them, I've been hoarding up and reading all in one go, and some of them I've gone through and re-read again for the purposes of this review.
 
This is more like how I've been reading the reprint volumes I've been reviewing than how I used to read progs in the old days, and it's thrown up a few contrasts between then and now, but I'm probably going to hold on to these until the end of the series. Howzabout that then, suspense fans? In the meantime, though I'm going to look at each story in some detail (some more than others), starting with two of 2000AD's most enduring characters, Judge Dredd and Johnny Alpha.

Saturday, 3 July 2010

Strontium Dog: Search/Destory Agency Files Vol 01

It's one of those things that I just accept that 2000AD isn't what it was. Well, nothing is, is it? But in 2000AD's case, the feeling is particularly acute because what it was was so special. It's hard to articulate fully what 2000AD meant to those of us that found it at the right time, I guess the aphoristic “Golden Age” of science fiction, which is to say about the age of 12.

The first issue I remember buying was prog twenty-nine or thirty, picked up one summer holiday in Rotorua. It was immediately obvious to me that this was something special. I was already keen on comics, and had read plenty of Superman and Marvel stuff, but British comics had never really appealed to me before – too much football and World War 2, two topics that I found utterly boring. Not only was 2000AD not like that, it wasn't like the Marvel or Superman comics either. It just didn't look like the stiff muscle men I was used to, and the jolly good chaps of Battle or the silly cartoons of Beano or Whizzer & Chips where nothing like this.

You can argue about which artist is most responsible for this, but one of the top contenders has got to be Carlos Ezquerra. He did, after all design Judge Dredd and the look of his world, which have probably done more than anything to sketch out the 2000AD territory. However, I think that just as influential as his work on Judge Dredd is one of 2000AD's other great thrills, Strontium Dog.

Johnny Alpha: Strontium Dog