Wednesday, 25 July 2012

Reading log - Q2 2012

Well, what a few months! For those who don’t know, I moved house on 7 March and found myself at the centre of one of those yuppie nightmare movies like The Pit where a likeable upwardly mobile couple buy a ‘fixer upper’ in a nice neighbourhood and then slowly go mad as the money-eating problems build up. The final scene is a comic denouement where the house ends up a smoking ruin, but the couple have learned to value the important things in life rather than money.

I guess we must still be in act three because say the house is still standing and I still believe money is pretty damn important. In fact, I’d say I think it’s more or less half as much again as important as I did before I started. And I’m still assuming this is a comedy farce and that the final act won’t involve an Indian graveyard.

This has rather taken time and energy away from my usual pursuits. Nonetheless, the commute to work and the minutes between bed and sleep have allowed me some reading time and I’ve done a little writing too.


After the jump, I'll be talking briefly about The Invisibles by Grant Morrison and various artists and Neonomicon by Alan Moore and Jacen Burrows, and then in more depth about:

DC Showcase All Star Comics by Paul Levitz, Joe Staton and others
DC Showcase All Star Squadron by Roy Thomas
The Inifinity Gauntlet by Jim Starlin, George Perez and Ron Lim
The Blue Flower by Penelope Fitzgerald
The Great Beast: The Life and Magic of Aleister Crowley by John Symonds
I, The Jury by Mike Hammer

Sunday, 8 July 2012

The Invisibles by Grant Morrison et al


Sorry for generic pics lately - scanner broken!
It’s taken me a while to get around to reading The Invisibles. At the time it started I was getting a bit burned out with comics in general and in particular with the boundary busting work of the Vertigo crowd. The Invisibles sounded like the worst kind of self-indulgence to me at the time and this put me off.

However, a few years back I began getting interested in Grant Morrison again, and I started to think that maybe I should read The Invisibles. I was put off now by the wallet-busting seven volumes, even despite my healthy budget for pamphlets. What finally swung the deal was the new library in Deptford, the Deptford Lounge. It’s a smart modern library with a swish coffee bar and computers and wifi and most attractively a huge selection of brand new graphic novels including all seven volumes of The Invisibles.

Needless to say, after all these years avoiding it I loved it!

Thursday, 14 June 2012

Neonomicon by Alan Moore, Jacen Burrows etc


I've written a lengthy review of this for The Zone, and it's up now. It took me ages, because I've been very busy and it's very long.

Before writing about Alan Moore’s ‘Neonomicon’ I wanted to “finish off” my thoughts on HPL after reading the essay ‘Supernatural Horror in Literature’. I wanted to get the hang of what Lovecraft though Lovecraftian horror is, and I thought that would be the place to look.

After a while, though, I realised I was never going to get around to writing about 'Supernatural Horror in Literature'. It is, unfortunately a very boring essay.

Monday, 23 April 2012

Panoptica feels like a warped dream or a British Thomas Pynchon novel

Four star review of Panoptica on goodreads and Sift Reviews.

The review's not entirely enthusiastic, and another thumbs down for Gary and Pete - what's the matter with you people!

But still - four stars! Come on stray browsers seeking pictures of Priapus - buy my novel!

Tuesday, 27 March 2012

Reading log - Q1 2012!

So, rather than writing about everything I read this year I'm taking a step back from blogging to concentrate on my fiction and also reviews. That's working OK, I guess. I've only written one review so far this year and haven't really made startling progress with my novel (some, but not much) but on the other hand I have been posting on the book pages of the Guardian.

I've also joined Goodreads, and have been noting my reading there (don't forget to nip in and give Panoptica a good rating if you're a Goodreads reader!) so if you're a Goodreads member  with an interest in keeping up with my tedious malarky then drop by and friend me up.

In order to satisfy my fans, though, I'm going to do quarterly reading updates here, and this is the first!

After a jump, I'm going to discuss the books I've read so far this year:

A Dreamquest for Unknown Kadath and Supernatural Horror in Literature by H P Lovecraft
A Reflection in Glass by Jeffrey Hewitt
A Short History of Western Thought by Stephen Trombley
Redlaw by James Lovegrove
Osama by Lavie Tidhar
WildC.A.T.S by Alan Moore et al
Ex Machina by Brian K Vaughn et al
Thor - The Black Galaxy Saga byTom De Falco and Ron Frenz

... and a cavalcade of contemporary comics.

Monday, 26 March 2012

Sunday, 4 March 2012

Redlaw by James Lovegrove

My review of Redlaw by James Lovegrove is up at the Zone.

This is another bad book, and another bad review. As I’ve noted before, I hate reading bad books and writing bad reviews in about equal measure. I’m inclined to write positive reviews, I think, and seek out books I think I’ll enjoy as any normal human would.

I chose to read this book as I had previously read Lovegrove’s Provender Gleed, on the recommendation of Francis Spufford. Francis spotted some common ground between it and what I was attempting in Panoptica and thought it might be useful to take a look at other approaches. I think he was right that there is common ground, and it was a useful reference point, but actually it showed me where I didn't want to go rather than where I did.

Provender Gleed is an interesting book in many ways, but it didn’t quite work, either in reference to what I was attempting or – in my opinion – in achieving it’s own goals (as I understood them). I did like the idea of the society put forward in Provender Gleed, and in the first third of the book it was well-articulated and relevant. But as the story went on, Lovegrove seemed at a loss as to where to take the satirical elements, and the story fell back on a rather dull Stockholm-syndrome thriller plot that didn’t do much for me.

While it didn't entirely sell me on Lovegrove, I thought he would at least be worth keeping an eye on, but alas Redlaw suffers from the same sort of problem, only more so.